Cippyn : The Decay
I've recently been working on a film collaboration with Aaron Cooper and his tutor Heledd Wyn Hardy from the Faculty of Creative Industries at ATRiuM (Course Leader, Bilingual Media Production) at the University of South Wales. It's about a deserted chapel near Cardigan in the village of Cippyn; it now sits in a remote spot, a quarter of a mile from the main road, hidden away on a solitary footpath leading towards the sea (you can see more information in previous blogs back last October and January).
Next Wednesday, 4 March, between 7 and 8pm, you can see the film and photographs of the chapel as part of an installation in the theatre at ATRiuM. You will be able to enter visuals of the chapel in a small space enclosed by four screens through which you can wander. Here's the poster:
Over the last few days I have finished a soundscape that runs through the film, made up of sounds from around the site - gulls, wind, rain, water dripping off the chapel roof and today Odlion Marcenaro at the Royal Welsh College of Music and Drama has been matched up to the film. Here's a sample of what I've been doing: https://soundcloud.com/peter-reynolds-2/no-1-gulls
When the rest of the music is added to the film, later this month, double bass player Ashley John Long will play the part I am composing for solo double bass. Next Wednesday, he will be playing it live as part of the installation. Here he is, running through it with me recently.
Heledd at ARTriuM has produced a very elegant little flyer for the event. If you'd see it, just turn up on the night - you can find details and an invitation here.
I find it a fascinating experiment. The sound of the elements makes it intriguing, I wonder how it will turn out when the bass is brought in...though the combination as it stands is fantastic!
ReplyDeleteThank you very much - I also will be fascinated to see the difference that the double bass makes - it's still all in my head at the moment.
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